11/04/25

In "Divine Vision," the viewer is drawn into a haunting ascent—a lone figure stands at the edge of light, watched by countless, unblinking eyes. The work blurs the line between revelation and paranoia, suggesting that transcendence often comes with the weight of being seen. Each gaze seems both celestial and accusatory, as if divinity itself is witnessing humanity in all its vulnerability. Through stark contrasts of shadow and illumination, the painting captures the uneasy intimacy between the observer and the observed, the mortal and the divine.

3616x4520 PX @ 72 DPI

10/31/25

The air bends beneath its gaze, heavy with a knowing older than time. To meet it is to feel yourself unravel—quietly, reverently—until nothing remains but awareness itself.

6400x8000 PX @ 72 DPI

10/29/25

“You Should Really Get Going” captures the fragile pause between knowing it’s time to leave and still wishing to stay, that quiet ache of resistance before surrendering to change. It’s the gaze of someone caught in the pull of departure — where reflection becomes both a mirror and a farewell.

4000x5000 PX @ 72 DPI

10/25/25

I. First Light

When the eyes first meet — the breath before becoming, a moment trembling with discovery, where tenderness hesitates between curiosity and recognition. 

10/25/25

II. The Stillness Between

Silence as confession. Here, love is neither declared nor denied — it simply exists, weightless, resting in the space between two unspoken truths. 

10/25/25

III. Echoes of Touch

Love remembered, not lived.

The gaze turns inward, softened by time — the warmth that lingers long after the body has gone.